Chantal Kiener
Montbard 1822 – Rome 1905
Diane et Endymion (Diana and Endymion)
Terracotta bas-relief
20 x 24 cm
Bears an old label on the reverse: “37883”
Provenance: Lefuel family collection; by descent
Paris 1812 – 1893
Cîmes d’arbres (Treetops)
Oil on beige paper
On the verso: Viaduc (Viaduct)
Graphite
Dated and located lower left: “Rome 2d octobre 1838”
22.7 x 31.5 cm
On the verso, lower right, stamp in soft black ink: “-L.N.CABAT-”. Lugt L.5605.
Paris 1843 – killed in action at Buzenval (Hauts-de-Seine) on 19 January 1871
Vue prise de Lescoff — Pointe du Raz (View from Lescoff — Pointe du Raz)
Black chalk on brown paper
46.9 x 60.3 cm
Located and dated “oct1866”
Mulhouse 1836 – Paris 1909
Vue de Capri (View of Capri)
Oil on paper
24 x 32.5 cm
Signed and located lower right: “Jean Benner, Capri”
Paris 1849 – Domme 1918
Vieux Moulin (Old Mill)
Pastel, watercolour and charcoal on paper
32.5 x 40.5 cm
Signed in black pencil lower left: “A. Lepère”
Paris 1833 – Sèvres 1914
Danseuse au tambour de basque (Dancer with a Tambourine)
Design for the bottom of a plate
Watercolour
Diameter of the composition: 16 cm
Signed lower right: “Bracquemond”
A. Beurdeley stamp (L.421)
Provenance: A. Beurdeley collection, ninth sale, Galerie Georges Petit, Paris, 30 November, 1 and 2 December 1920, no. 58
Paris 1833 – Sèvres 1914
Baigneuse nageant (Swimming Bather)
Design for the bottom of a plate
Watercolour heightened with gouache
Diameter of the composition: 17 cm
Signed lower left: “Bracquemond”
A. Beurdeley stamp (L.421)
Provenance: A. Beurdeley collection, ninth sale, Galerie Georges Petit, Paris, 30 November, 1 and 2 December 1920, no. 59
Nantes 1877 – Pénestin (Morbihan) 1943
Religieuses au bord de la mer (Nuns by the Sea), also known as Les Bonnes Sœurs sur la plage à Noirmoutier (The Good Sisters on the Beach at Noirmoutier), c. 1901
Oil paint thinned with turpentine on cardboard
50 x 64.5 cm
Provenance: former collection of Suzanne Laboureur (the artist’s wife)
Bibliography: Sylvain Laboureur, Catalogue complet de l’œuvre de Jean-Émile Laboureur, Neuchâtel, Ides et calendes, 1989, 3 vols. (reproduced vol. III, no. 19, p. 29).
Le groupe de Saint-Jean-de-Monts : deux générations d’artistes dans le marais vendéen, 1892-1950 [La Communauté des communes du canton de Saint-Jean-de-Monts, à La Barre-de-Monts, Écomusée du Marais breton vendéen, Saint-Jean-de-Monts, Palais des congrès et des expositions, Soullans, Musée Milcendeau, 7 July–5 November 2000], Paris, Somogy, 2000, reproduced no. 29, p. 33.
Binningen, near Basel (Switzerland) 1793 – Paris 1858
Sous-bois (Undergrowth)
Watercolour over graphite on paper
34.5 x 53 cm
Cincinnati 1859 – Paris 1926
The Sea, afternoon – La mer, l’après-midi
Watercolour and gouache on paper
49.5 x 92.5 cm
Signed lower right